I first heard The Velveteers on social media. A post had crossed my feed captioned something along the lines of, “When you want to start a band but the only two musician friends you have are both drummers.” Hailing from Boulder, Colorado, there’s a rawness and realness to their sound. A loud, soul bearing heaviness kicks things off with quieter moments sprinkled about.
They have a remarkably big sound for a trio of guitar/vocals and two drums. There are hints of keyboards that wander in from time to time. The album knocks you over from the onset and continues to pummel through the first six tracks with searing vocals and guitar riffs over the absolute attack of the drums. Then it all takes a sudden and tender turn with the simple voice and acoustic guitar of the title track. Then, revved up once again, the sonic journey continues.
Aside from their impressive musicianship, the album showcases the band’s skilled songwriting craft. There’s a refreshing depth and maturity present. The songs are tight, focused and powerful. Much of the production’s true grit is enhanced thanks to the collaboration with producer Dan Auerbach of The Black Keys. You can hear his influence on the tracks for sure.
I’m so glad I came across The Velveteers. They’ve added to my feeling that there’s still hope for live music in the world. I keep finding new, young bands who want to play real instruments in front of real people. Whether it be rock or jazz or whatever, they’re doing it and they’re doing it well. The kids are in fact alright.
Now go, buy the album ‘A Million Knives’ on Bandcamp. Check out the opening track ‘All These Little Things’ and the title track ‘A Million Knives’ below.
Cheers!
Stephen
